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Gesture and Identity in the Funerary Art of Palmyra

October 2010 (114.4)
Article

Gesture and Identity in the Funerary Art of Palmyra

114.4
Maura K. Heyn
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The funerary art from Palmyra, a city in the eastern Roman empire, offers us a glimpse into the creation of social identity in the aftermath of Roman conquest. The Palmyrene portraits are modeled on the Roman funerary relief but with interesting local variations. For example, the deceased in these portraits hold their hands in a number of different positions. An analysis of these gestures reveals that some highlight certain aspects of the individuals represented, such as gender, profession, and family connections. The emphasis on these characteristics shows the multifaceted ways in which they defined themselves, and moves us beyond interpretations of identity that focus on a dichotomy between local and Roman.

More articles like this: 
Gender
Iconography
Mortuary
Roman Period
Sculpture
Near East

Gesture and Identity in the Funerary Art of Palmyra

By Maura K. Heyn

American Journal of Archaeology Vol. 114, No. 4 (October 2010), pp. 631–661

DOI: 10.3764/aja.114.4.631

© 2010 Archaeological Institute of America

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